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Geraldo Vieira is a carnival costume
designer, technologist and an entrepreneur. Without any
formal training in costume-making, science or design,
he was responsible for some of the more
technically-innovative costumes seen in the Kings of
Carnival competition in Trinidad and Tobago over the
last few decades. His designs won the title, King of
Carnival nine times, and for three consecutive years
from 1981. They include The Demon Mantis, Mystic Dawn
and Wind – An element of life. His design, the Swimming
Angel, won Junior Queen of Carnival. He also won
similar titles in Toronto, Canada at Caribana in 1996.
Geraldo Vieira was born on 24th
November, 1938 in Barataria. He attended the San Juan
Government Primary School, and later, trade school and
Malick Senior Comprehensive for a short while. Vieira
first fell in love with Carnival when he played his
first “mas” in 1953.
He participated in carnival
competitions since then and created history in 1996
when his son, Geraldo Jr became the country’s youngest
King at the age of 19, wearing a costume he designed.
He continued the history-making when he became the
country’s oldest King at the age of 67 in 2006,
portraying The Might of Rome.
Vieira developed a fascination with
craft and learned pattern-making as a trade. In the
1950s, wire bending was the popular method used in
costume-making and Vieira mastered it, using it for
some of his larger and more elaborate work. He
replicated birds, fish and even the human form in wire
with elaborate detail and accurate proportion.
As an upgrade from wire bending, he
pioneered the use of plastic mouldings in his designs.
His moulds were made of wood, concrete and bodicila[1]
to create lighter, stronger costumes. This led to the
design of costumes for virtually every diasporic
carnival, as well as regional carnivals in St. Maarten,
St. Thomas, Barbados and St. Lucia.
He introduced the use of
pyrotechnics in costumes in 1999, using special effects
such as fireworks, robotics and lighting to create
spectacular theatrical Kings of Carnival presentations,
which won him numerous titles.
With methods that are both effective
and cost-efficient, Vieira has always done his own
research and is involved at several levels of the
design process, even possessing enough skill to design
tools for his specific needs. Forty-seven years in the
field have given him an extensive knowledge of working
with raw and synthetic materials, and he has built some
of the most complex and intricate plastic injection
moulds in the world. The demand for his moulds for
costume-making goes beyond our shores to Curaçao, where
he has many clients. His innovations have not, however,
been limited to use in carnival costumes. He also
produced customised plastic, vacuum form mouldings for
the refurbished lobby area of the Trinidad Hilton Hotel
and numerous signs for business places throughout the
country.
In 2006, Geraldo Vieira designed
Trini Revellers’ Rome: The Empire, winning the large
band category. In 2007, his band was called The French
Revolution, a theme which had not been explored before
in Trinidad Carnival. It won second place in Large Band
of the Year and Vieira’s costume won second place in
the Carnival King category.
1-A
lightweight material used in costume construction
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